Milla-Kariina Oja
Milla-Kariina Oja (b.1976) is a visual artist based in Helsinki who works with photography and moving image. Her practice is particularly focused on video installations, which combine both the experimental and the performative. The themes of her works arise in response to basic questions of existence, such as how human beings inhabit the world and
the built environment, and engage with nature and its cycles. Oja has studied photography and contemporary art in Manchester Metropolitan University, and in the universities of Castilla-La Mancha, and Barcelona. Oja’s works have been exhibited throughout Europe and China, notably in The Three Shadows Photography Art Centre in Beijing, Centre de Cultura Contemporània de Barcelona, and Aboa Vetus & Ars Nova museum of contemporary art in Turku, Finland.
"Submerged"- the boundaries between the animate and inanimate nature
Normandy 2023-2024
“Submerged is a continuation of my earlier work, a series of moving image installations from 2020-22 dealing with human beings’ intimate and profound relationship with nature. The new body of work, intents to look at the world from other-than-human perspective, by focusing on natural substances, e.g. stone, and it’s different cycles in different time scales. The works stem from the idea, how everything in here, including human being, has been born from the same materials (magma, i.e. rock).
Submerged contemplates the boundaries between species and between the animate and inanimate nature. Where does the plant world end and the animal world begin? Is an inanimate rock actually inanimate after all? If you observe the world, it’s different substances and their cycles in another time scale, in Deep time, nothing is so clear anymore. In fact rock is in constant transformation and appears very vital.
I’m interested in Deep time, the geological time of the Earth, a whole other concept of understanding time and change. In relation to humanity and it’s short existence on this planet, such immensity of time, seems even difficult to comprehend. Submerged is an exploration on the these layers and layers of time, not only in relation to the past, but also to what might be coming.
In Normandy during the residency in Le 101 my focus is especially on chalkstone and it’s cycles. Chalkstone carries in itself an interesting example of a deep time cycle, a cycle from life to death and to life again. A random piece of stone, picked up on a beach in Normandy, has been formed in ancient seabed out of the skeletons and remains of different organisms during hundreds of millions of years. In the future, in Deep time, it will eventually supply the calcium carbonate for new organisms to build their bodies, and so on and on.”
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